Yan Lianke is among the most well-known authors in contemporary Chinese literature. Celebrated in the West for his works banned in the People’s Republic of China, he is at the same time a renowned figure in Chinese intellectual circles. The purpose at the hearth of this thesis is to analyse how the author defines his own identity between the two poles of subversion to power and conciliation. We will consider in particular the way in which, in his novel Si shu (2011), Yan Lianke attempts to re-write the episodes of the Great Leap Forward and the Great Famine that was caused by it (1959-1961). In order to do so, we compare it to historiographic works, literature and films available in Chinese on the topic. We argue moreover that this novel has an important place in the evolution of Yan Lianke’s work and identity, because it marks the passing point form his engagement towards society to a gradual withdrawal into himself.

(2019). Une réécriture du Grand Bond en avant en Chine contemporaine : Subversion et conciliation dans le Si Shu de Yan Lianke. (Tesi di dottorato, Institut National des Langues et Civilisations Orientales- INALCO PARIS - LANGUES O', 2019).

Une réécriture du Grand Bond en avant en Chine contemporaine : Subversion et conciliation dans le Si Shu de Yan Lianke

PEZZA, ALESSANDRA
2019

Abstract

Yan Lianke is among the most well-known authors in contemporary Chinese literature. Celebrated in the West for his works banned in the People’s Republic of China, he is at the same time a renowned figure in Chinese intellectual circles. The purpose at the hearth of this thesis is to analyse how the author defines his own identity between the two poles of subversion to power and conciliation. We will consider in particular the way in which, in his novel Si shu (2011), Yan Lianke attempts to re-write the episodes of the Great Leap Forward and the Great Famine that was caused by it (1959-1961). In order to do so, we compare it to historiographic works, literature and films available in Chinese on the topic. We argue moreover that this novel has an important place in the evolution of Yan Lianke’s work and identity, because it marks the passing point form his engagement towards society to a gradual withdrawal into himself.
Rabut, Isabelle
China, Literature, History, Great Leap Forward, Subversion, Conciliation, Censorship, Avant-Garde, 21st Century
Chine, Littérature, Histoire, Grand Bond en avant, Subversion, Conciliation, Censure, Avant-Garde, XXiè siècle
Settore ASIA-01/F - Lingue e letterature della Cina e dell'Asia sud-orientale
French
29-nov-2019
École doctorale Langues, littératures et sociétés du monde - Institut National des Langues et Civilisations Orientales- INALCO PARIS - LANGUES O'
2019/2020
École doctorale Langues, littératures et sociétés du monde
Institut National des Langues et Civilisations Orientales- INALCO PARIS - LANGUES O'
(2019). Une réécriture du Grand Bond en avant en Chine contemporaine : Subversion et conciliation dans le Si Shu de Yan Lianke. (Tesi di dottorato, Institut National des Langues et Civilisations Orientales- INALCO PARIS - LANGUES O', 2019).
open
File in questo prodotto:
File Dimensione Formato  
Pezza-2019-Une reecriture du Grand Bond.pdf

accesso aperto

Tipologia di allegato: Doctoral thesis
Licenza: Creative Commons
Dimensione 7.45 MB
Formato Adobe PDF
7.45 MB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10281/558915
Citazioni
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
Social impact